Contents The Gallery 1950s Productions


She Stoops to Conquer Dec 1953
The Government Inspector Dec 1954
Macbeth Dec 1954
Toad of Toad Hall Summer 1955
Twelfth Night Dec 1955
Jasper Grasper Dec 1956
VIth Form Revue Summer 1957
A Midsummer Night's Dream Dec 1957
Down to Earth Dec 1958

She Stoops to Conquer
(December 1953)

This was the Grammar School's first public performance.


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The Government Inspector
by Nikolai Gogol
(December 1954)

The Government Inspector is an hilarious comedy about mistaken identity and council corruption in a small town. The premise is simple. A corrupt Mayor and his officials are alarmed to hear rumours of the impending arrival of a government inspector. Evidently this fellow will be travelling "incognito."  Thrown into a panic, the Mayor and his officials desperately struggle to stifle public dissatisfaction whilst deflecting the blame for their many and various misdemeanours onto each other. But who is the government inspector and where is he hiding? He could, of course, be anyone. It is brought to their notice that an apparently penniless rake and his servant happen to be staying at the local inn. Despite the fact that they are unable to pay their bill, this unlikely couple suddenly find themselves being treated like royalty by the sycophantic mayor and his cronies. "The Government Inspector" eventually rides away a good deal richer, having sampled for free the best hospitality the town could muster, including not just the finest food and drink, but also the feverishly competitive adoration of both the Mayor's forceful wife, and his seemingly impressionable daughter! The truth of their dreadful mistake is finally revealed to the town. Finally, just as the humiliated Mayor strives to apportion blame in order to restore some semblance of credibility, the arrival of the real inspector is announced - to the collective dismay of the assembled dignitaries.

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The Dramatic Society Presents:
by Nikolai Gogol.


Anton Antonovitch Skvoznik-Dmuhanovsky, The Mayor - Anthony Howe
Anna Andreyevna, His Wife. - Margaret Brown
Marya Antonovna, His Daughter  - Anne Thornton
Luka Lukitch Hlopov, School Superintendant - Mr. Norton
Hlopov's Wife - Nancy Carman
Amos Fyodorovitch Lyapkin-Tyapkin, District Judge - Brian Winn
Lyapkin-Tyapkin’s Wife - Mary Freestone
Artemy Filipovitch Zemlyanika, Charity Commissioner - Michael Cork
Ivan Koosmitch Shpyokin, Postmaster - Jack Brown
Peter Ivanovitch Dobchinsky, Town Landowner - David Dyble
Peter Ivanovitch Bobchinsky,  "      " - Kevin Westnott

Ivan Alexandrovitch Hlestakov, A Junior Official from
St. Petersburg

- Graham Crane
Yosif, His Servant - Mr. Garrard
Abdulin, a merchant - Roger Fiske
Second Merchant - Brian Newman
Third Merchant - Raymond Douglas
Sergeant's Wife - Mary Freestone
Locksmith's Wife - Joy Emmerson
Mishka, A Servant - Joyce Daniels
Svistoonov, A Constable - Bryan Newman
Dyerzhimorda, A Constable - Roger Fiske

Sets designed by Mr. Freeman and painted by himself and by Raymond Douglas, Dennis Hanwell, Alan Norfolk, Robert Rowell and Derek Woods, all of whom helped in their construction.

Lighting by Bernard Westgate and Robert Rowell.

Costumes by Linet Crawshaw, who also loaned the swords.

Marree Rudrum was prompter.

Maureen Arbour, Betty Watling and Pamela Villiers assisted with make-up.

The play was produced by Mr. Garrard.

The company wishes to thank all those who have assisted in the production in any way, including those who have loaned various properties and items of furniture.

The action of the play takes place in the house of the Mayor of a small Russian Town, and in a local inn.

The play was written in 1834, and is a satire on the Civil Service of Tsarist Russia, which included such local officials as are depicted here.

There will be an interval of ten minutes.


(December 1954)








A report of the play written by Chloe Lewin can be found on pages 18 and 19 of the 1955 College Magazine Grammar School Section



Toad of Toad Hall
(Summer 1955)






From the 1955 College Magazine:



The first production of the Society was "Toad of Toad Hall," which was performed at the end of last summer term, all parts being taken by First and Second Formers. It would be difficult to select any one character for particular praise, but Peter Herring(Toad), Michael Herring(Badger), Robbie Fielding(Rat) and Molly Veal(Mole) played their parts with great success; Molly Veal is to be congratulated on a fine performance, as she took the part at very short notice after Michael Bartram, the, original Mole, developed chicken-pox. Wild Wooders and River Bankers alike acted with obvious enjoyment, and, aided by music composed by Mr. Reynolds, and settings designed by Mr Lamming, these animals became as real to the audience as the judge and the other humans.     



Twelfth Night
(December 1955)

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From the 1956 College Magazine:

The Dramatic Society maintained the traditional Christmas term performance this year with a production of Shakespeare's "Twelfth Night".  Rehearsals passed as all rehearsals do amidst a flurry of enjoyment, combined, as the day of our first performance drew near, with moments of anxiety.

A great deal of the amusement was unwittingly contributed by the violinists, who, under the able leadership of Heather Smith, were slowly, surely, but painfully mastering a composition of Mr. Bailey's, to which the natural sixth form clown, Henry Bull (Feste), had to sing. 

Our first performance, actually a dress rehearsal, was in front of our own junior school. This turned out to be one big laugh, for the larger ones amongst us looked rather ungainly, to say the least, in Shakespearean tights. The second performance was on a more serious level and meant more to us, as we were performing before outside schools, and our prestige was at stake. The next three performances, one before our own senior school, and two before the parents, who had all been invited, passed without any outstanding surprises, save that we were told of the presence of a reporter from the "Eastern Daily Press".  In the press report, which was a very favourable one, Anne Drinkwater (Viola) was praised for her promising acting, and Brian Winn (Malvolio) for his varied antics on the stage. Also mentioned were Stella Carman (Countess Olivia), Anne Thornton (Maria), Colin Stearman (Sir Toby Belch). Neil Whyte (Sir Andrew Aguecheek), Henry Bull (Feste), Jack Cassie (Duke Orsino) and Brian Turner (Sebastian).

We must not, however, forget all the other members of the cast, nor the back-stage boys, Robert Rowell, Stuart Handley, Alan Fry, Joseph Keddy and John Kirkland, without whom the play would have been impossible. These boys had the sad task of removing the scenery, when nearly all the cast admitted how sorry they were that the play was over and how downhearted they felt to see the stage denuded of its colourful array. Then came news that we were being treated to a show in Norwich, and in an amazingly short time we had forgotten our previous sad feelings. This outing was a great success and we returned wishing we could produce a play every week.

We all agree that, although our interpretation of the play was probably not quite as Shakespeare meant it to be, we enjoyed performing in it. For most of us it was the last play we should be taking part in at  Wymondham College, so that there was something special about it that we shall remember for a long time.

May we offer a word of thanks to Mr. Garrard, our able producer, who, if one judges from his antics at rehearsal, must have been undergoing some considerable strain during the latter stages of the play's preparation. He retained most of his hair, however, and could not have abused us too badly, for none of the cast deserted him.



Jasper Grasper
(December 1956)

This operetta was written by Paul Wrench and was close to completion when he joined the College as Head of Music in January 1956.  It was finished and staged in the same year.  The libretto (signed by the author) has survived and can be downloaded as a PDF file (534 KB):

Jasper Grasper


VIth Form Revue
(Summer 1957)

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Lower 6th cast members


Upper 6th cast members

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A photo of the skiffle group is on the Rock & Roll Performers page


Western Sketch


SIXTH FORM REVUE, 1957 (From the College Magazine)

In typical lower sixth form fashion preparations were begun early for the summer revue when a party of scripwriters began to meet just after Christmas.  The intentions were good, but, mainly due to the excellent tea and biscuits the girls produced, no scripts were actually written until late in the summer term.  After eight sketches had been written (four of which bore a great resemblance to those in the show "1066 and All That) the scriptwriters began to look around for actors.

From then until the end of term, every Sunday morning was devoted to rehearsals, although slight confusion was caused by the fact that the "lines" were different each week. For some time Gidney was seen wandering around the college muttering strange formulae and we were rather alarmed when he frequently disappeared under a curtain in Tomlinson Hall. Our curiosity was soon satisfied, however, for after consultations between Gidney and Rogers, the whole cast was introduced to his "Nellie".

Nothing startling happened during the show, but this was to be expected as great care had been taken to ensure that the College Choir and Lower Sixth Form Chorus appeared as far apart as possible. Special mention must be made of the young lady who managed to make up Graham to look more like himself
than anybody believed possible.

It is impossible to thank everybody involved, but we must mention Mr. Garrard, who produced the show and gave up many hours to help us in all our troubles; Mr. Wrench, who wrote the calypso and other music;
Mr. Bailey for his farewell performance on the piano; the boys and girls who spent endless hours constructing anything from a saloon bar to a cavalier's outfit; everybody who lent us properties; and the Upper Six Form for the contributions which they made to the show at quite short notice.



A Midsummer Night's Dream
(December 1957)

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These first three photos show the 'comedy' members of the cast; Quince, Snug, Bottom, Flute, Snout and Starveling.  In our County's traditional way to 'du different' the roles were performed using broad Norfolk, much to the delight of the audiences.

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Rustics 1 Rustics 2 Rustics 3


Working on the set and lighting.  What was the watering can for?
Oberon (David Ayres) and Titania (Heather Reed) are 'ill met by moonlight.'
Titania and her fairies.
Puck (Marree Rudrum) shows Oberon (David Ayres) the flower 'love-in-idleness.'
Thanks to Puck's magic, Bottom (David Whyte) undergoes an unwanted transformation, to the astonishment of Snout (Bob Rowell). The sleeping Titania (left) will fall in love with the first living thing that she sees when she wakes .....

A MIDSUMMER NIGHT RETURNS TO WINTER (from the 1958 College Magazine)

During the Autumn term the Dramatic Society performed Shakespeare's " A Midsummer Nights Dream."  Rehearsals were held twice a week throughout the second half of term.  At times, however, these rehearsals became hilarious, thanks to the antics of Bottom in the person of David Whyte.  The play was performed in the last week of the term, the Junior School seeing our final dress rehearsal on the Wednesday evening and the Senior School attending on the following evening. The response of those audiences encouraged us on the Friday evening when we presented the play to a distinguished audience.

We received a good Press report, with special credit going very deservedly to Marree Rudrum for her excellent interpretation of Puck.  Also praised were Helena (Julia Pitcher), Bottom (David Whyte), Titania (Heather Reed) and the remaining "rustics."  A group of Fairies from Junior School gave an ethereal touch to our performances.  The College Orchestra contributed in no small measure to the success of the venture with some delightful incidental music.

We record our thanks to Mr. R. Garrard, our producer, for all his untiring efforts to secure the success of the production; to Mr. Freeman for the scenic effects; to Miss Haye for her transformations in the make-up rooms; to Miss Colls, the wardrobe mistress; and last, but by no means least, to all those people who contributed in various other ways.



Down to Earth
A science-fiction operetta, written by Paul Wrench
(December 1958)

Space Fairy: "I've told you before not to eat a Mars while we're going down the Milky Way!"

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 Eta, Zeta, Pi & Theta

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Scoffin' Boffins & Amorous Assistants The Saucer Producer and Composer
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From the 1959 College Magazine:

At the beginning of the Autumn term, rehearsals began for the Christmas entertainment, Mr. Wrench's second opera, "Down to Earth".  After being charged to secrecy, members of the Senior and Junior Choirs received copies of the words and music.

Four members of Staff took parts in the opera; Mr. Garrard as the "Bold Bad Boffin", Mr. Banham as Ferrule, his chief assistant, Mr. Bower as King Kappa, with Mr. Tremlett as his chief assistant.

In all, six performances were given, the first to the Senior school, the second to the Junior school and the remaining four to the general public and the Governors of the College. A very favourable press report was given and extracts from "Down to Earth" have been broadcast on the radio.

Much of the success of the undertaking was due to Mr. Staveley and Mr. Carter who organised the seating arrangements. Miss Nixon and Miss Thornett who helped with the dance sequences. Miss Ough who directed the make-up, Mr. Freeman and Miss Colls who organised the scenery and costumes, and Mr. Garrard, the producer.

We also thank all those who helped in so many other ways.  Last, but, of course by no means least, we record our particular gratitude to Mr. Wrench whose efforts resulted in so much enjoyment for performers and audience alike.






Wymondham College Remembered - Rolls neater, smokes sweeter